Once the creative plans came into focus and the scope and workflow were locked in, Irving Harvey was able to plan out and source the specific hardware components that would make everything work. Irving Harvey provided a small, fast server and all the networking gear required to allow us to create a 10GbE network on-set, allowing immediate access to footage for all members of the post production team after ingest. Additionally. Irving Harvey provided edit, data management, and color workstations.
In the days leading up to the shoot, Irving Harvey configured all workstations to make sure that the versions of Adobe software lined up with the versions used at the Hearst office in order to allow for a smooth transition into any additional post production that would happen there after the shoot. Additionally, all networking was configured so the setup could be deployed quickly once we arrived on-set.